We live in an age of relentless self-documentation and analysis, where every emotion is a data point to be logged, every experience a narrative to be constructed, and every artwork a code to be cracked. We dissect our lives with the cold precision of a surgeon, hoping to find meaning in the entrails, yet we feel increasingly numb, like spectators watching a film of our own existence. Long before this condition became a universal affliction of the digital age, the cultural critic Susan Sontag issued a chilling diagnosis: our obsession with interpretation is not a path to understanding, but a sophisticated defense mechanism against the terrifying, messy, and exhilarating business of actually feeling.
Susan Sontag (1933–2004) was an influential American writer, filmmaker, and cultural critic, whose work interrogated the intersections of art, emotion, and modernity. Notably, she argued that the constant analysis of one’s life serves as a defense mechanism against genuine emotional engagement. In her seminal essay “Against Interpretation,” Sontag posits that the interpretative act reduces rich experiences to mere abstractions, thereby impoverishing one’s ability to fully feel and engage with art and life itself. Her critique is anchored in the belief that modernity’s inclination toward analytical frameworks often alienates individuals from their authentic emotional states, fostering a culture of detachment that prioritizes intellectualism over visceral experience.
Sontag’s exploration of this theme extends to her writings on photography and illness, where she critiques the tendency to filter human experiences through clinical or metaphorical lenses. In works such as “Illness as Metaphor,” she argues against the use of metaphor in understanding diseases, insisting that such approaches distort the realities of illness and promote harmful myths about emotional causation. By advocating for a direct and unmediated encounter with both art and life, Sontag calls for a more immediate engagement that honors the complexity of human emotion and experience.
